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SLEEPING WITH SKELETONS, Doralynn Kennedy

DAYS OF GOLD
DAYS OF GOLD
by Jude Deveraux
Award Winning Books
Award Winning Books
  THEMES
Highwaymen

Since the tales of Robin Hood, circa 1100 to 1300 C.E., men have leapt into action on the high road, thrilling readers with daring adventures of mystery and intrigue. Around the bend, over the hill, through the plains, for the Highwayman, the unknown lies just up ahead and it will find him. In romance novels, this tantalizing man is paired with his female counterpart, who ready or not, assists or becomes part of his confrontations. She contributes the element of love, a reason for rescue or escape, to match his danger, ambition and open rebellion.

What's The Appeal?

The popular classic, Lorna Doone, A Romance of Exmoor, written in 1869 by R. D. Blackmore, is the original prototype for today's historical romances with a highwayman. The main elements include the late seventeenth-century setting in wild moor country, secret agents, clannish marauders, provincial farmers, highway-men and, most important, love at first sight.

Present day versions of the highwayman romance, whether historical or contemporary, share two identifying elements from Lorna Doone. First, a defiant character—hero, heroine or villain. This character is mysterious, living the dangerous life of an outlaw or as a rebel for a defeated people, but whose goal is a kind of wild justice. Second, the element of travel by road, railroad, or with some recent degree of success, through airports. These elements have a strong pull for readers in that they symbolize the rites of passage, a change in direction, and the soul's progress toward its deepest goals.

The highwayman's role as a protector, his intellectual perception and honorable self-sacrifice for the sake of a cause makes him an appealing larger-than-life image. His deliberate actions against the law fully engage the reader in an exciting confrontation, becoming a battle between good and evil, between the ideals of a society and its reality. And always, in the end, love proves more powerful than the corruption or disapproval of society.

Authors' Thoughts...

Millie Criswell:
"Dangerous and daring are difficult qualities to resist in a hero, which explains the appeal of highwaymen who rescue damsels in distress and perform other feats of daring do, and which is why the most enduring of these heroes, Robin Hood, who steals from the rich, gives to the poor, and thumbs his nose at authority is still with us to this day." Ms. Criswell recommends The Raider by Jude Deveraux.

Andrea Kane:
"I think there's something heroic, exciting, and compelling about a Robin Hood-type character (which describes Pierce Thornton in THE LAST DUKE). Driven by his own childhood demons, Pierce risks his own life to rob from the rich to give to the poor. The Robin Hood-type is a mix of recklessness and courage, dexterity and cleverness, principles and compassion—what could make for a better hero."

Stobie Piel:
"A dark, dangerous hero, who can defy whatever rigid society oppresses his culture, is certainly strong enough to protect and love the heroine. Actually, in Rebel Wind, the heroine takes that role, as a seemingly mild-mannered, bookish girl from the North who rides at night in Virginia—and comes up against the hero who is upholding his culture and admiring her daring. I recommend Pale Moon Rider by Marsha Canham."

The Highwayman still closely resembles the original hero Robin Hood. He is the gentlemanly outlaw, the noble who remains faithful to the true English king and shares his bounty with the needy. In a modern setting, he becomes a mysterious stranger, an outcast, a man without a past who carries his own convictions. He is the western cowboy, a figure in disguise, an innocent on the run. These highwaymen have one thing in common: they are all in need of a good woman.

-Constance Martin



RECOMMENDED READS

(Note: The list below was compiled at press time: Romantic Times Issue #196, June 2000)

  • THE LOVING HIGHWAYMAN Helen Ashfield (Fawcett)
    Regency England
  • THE HIGHWAYMAN'S DAUGHTER Anne Avery (Love Spell)
    18th-century England
  • MY LADY NOTORIOUS Jo Beverley (Avon)
    Georgian England
  • THE HIGHWAY MAN Helen Cannam (Severn House)
    1600s England
  • PALE MOON RIDER Marsha Canham (Dell)
    1796 England
  • THROUGH A DARK MIST Marsha Canham (Dell)
    Medieval England
  • THE HIGHWAYMAN Nadine Crenshaw (Pinnacle)
    18th-century England
  • THE PHANTOM LOVER Millie Criswell (Harper)
    1700s New York
  • MIDNIGHT'S BRIDE Kathleen Drymon (Zebra)
  • NIGHTRIDER Sandra DuBay (Leisure)
    mid-1600s England
  • THE HIGHWAYMAN AND THE LADY Rachelle Edwards (Fawcett)
    Regency England
  • VANITY Jane Feather (Bantam)
    1780 England
  • THE HIGHWAYMAN Madeline Harper (Harl. Temptation)
    Regency England
  • THE BLACK MOTH Georgettte Heyer (E.P. Dutton)
    1800 England
  • THESE OLD SHADES Georgette Heyer (Bantam)
    Regency England
  • A WHISPER AT MIDNIGHT Jennifer Lynn Hoffman (Disk-us Publishing)
  • THE LAST DUKE Andrea Kane (Pocket)
    1828 England
  • THE PRINCE OF MIDNIGHT Laura Kinsale (Avon)
    1800 England
  • NOTORIOUS Kathyrn Kramer (Zebra)
    1655 England
  • CAPTAIN JACK'S WOMAN Stephanie Laurens (Avon)
    1811 England
  • GENTLE ROGUE Johanna Lindsey (Avon)
    Regency England
  • LADY SHERRY AND THE HIGHWAYMAN Maggie MacKeever (Signet)
    Regency England
  • DEVIL'S DESIRE Laurie McBain (Dell)
    Regency England
  • MOONSTRUCK MADNESS Laurie McBain (Avon)
    1750 England
  • PRINCE OF THIEVES Melinda McRae (Topaz)
    1800 England
  • HIGHWAYMAN Doreen Owens Malek (Harper)
  • HEATHER AND VELVET Teresa Medieros (Bantam)
    1791 England
  • VIXEN IN VELVET Fern Michaels (Ballantine)
    19th-century England
  • THE SECRETS OF THE HEART Kasey Michaels (Pocket)
    Regency England
  • THE LAST HIGHWAYMAN Katherine O'Neal (Bantam)
    19th-century England
  • REBEL WIND Stobie Piel (Pinnacle)
    Civil War-era Maine
  • SURRENDER Amanda Quick (Bantam)
    Regency England
  • THE HIGHWAYMAN Catherine Reynolds (Harl. Romance)
    Regency England
  • THE DEVIL'S LADY Patricia Rice (Onyx)
    1700 England
  • DARK OF THE MOON Karen Robards (Avon)
    Late-1800s Ireland
  • STEALING MIDNIGHT Sonia Simone (Harper)
  • MY FIRST DUCHESS Susan Sizemore (Harper)
    Georgian England
  • COME THE NIGHT Christina Skye (Dell)
    1814 England
  • A HIGHWAYMAN CAME RIDING Joan Smith (Fawcett)
    Regency England
  • THE HIGHWAYMAN'S LADY Rose Somerset
  • MIDNIGHT BANDIT Marlene Suson (Avon)
    1743 England
  • MIDNIGHT RAIDER Shelly Thacker (Avon)
    1735 England
  • THE HIGHWAYMAN Sylvia Thorpe (Fawcett)
    Regency Engalnd


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